Sunday, April 9, 2017

The Unconsoled


The Unconsoled was a very puzzling read for starters, but when I gave up trying to make any sense of it, I found it easier to follow.  There has always been a pattern I have found throughout an Ishiguro book where you are always left feeling anxious for the protagonist.  What this anxiety is about is not always clear like in this book, but it is there nevertheless.  Is this a signature trait?  I think it must be.  
As with any book I read I assume that the protagonist is the only sane one in the room... but I believe that in this book he, Mr. Ryder,  was the one that had some problems.  A quote from the back of the book:

"From the Booker Prize-winning author of The Remains of the Day and Never Let Me Go is an audacious novel that is at once a gripping psychological mystery, a wicked satire of the cult of art, and a poignant character study of a man whose public life has accelerated beyond control."

Frankly, I felt really daft while reading the book because while I saw these traits the quote spoke of, it didn't really explain to me why this book was so disjointed.  Why this town that Mr. Ryder was visiting was so freakingly full of odd, self-involved characters and inconsistencies.  Was this a town of nutballs?  It really seemed that way.  There is no help from beginning to end to give you a clue either except there is a part in the book close to the end when Mr. Ryder, is faced with an impenetrable wall and his feelings, his frustrations are expressed in a way that make you realize that it is he that is walled in and he cannot get out, and that the confusion of everything previous stems from him not from everyone else (they are still odd, self-involved characters which want something from Mr. Ryder and I got the mental picture of him being pulled in many different directions but not really being aware of it).
I think that when you understand that, it all clicks into place.    But that is all I think I can say about the book, except that when I read it again (and I will!) I will have a new perspective to help me see what was so baffling before.
So, even when it's not making sense, Kazuo Ishiguro's writing is a force to revel in, to embrace, because he reaches a level of consciousness inside me that nothing else does, not even myself.  After reading just four of his books I am amazed at how he draws me in and doesn't let me go until the end.

Saturday, April 8, 2017

Worlds of Exile and Illusion


I have, for the past year or so, been focusing on reading as many books by Ursula K. Le Guin as I can get my hands on.  I have not, until this book, been able to understand what it is that I have loved about reading her work and even then it was not until I was reading the third story in this collection, City of Illusions,  that it finally all came together for me.  She reminds me strongly of Isaac Asimov. I can't believe that I never made the connection before!   I would not do her the injustice of saying that she is the female Asimov, because her stories, especially the Hainish series are unique.  She reminds me of Isaac because she writes in the same way as he did for his Foundation series; stories about humans and how they differ from planet to planet with a long ago Earth origin.  I have always been extremely fond of science fiction that hints of an Earthly past.

Of all the Hainish books I have read so far, I really enjoyed Worlds of Exile and Illusion the most.  While Le Guin is the first to say that these books are not a series, they have small connections to each other which is, I think, a very human thing to relish... making a connection in an otherwise completely unrelated story.  All of her novels are very relatable because no matter what planet they may be based on, or whatever variation of human or culture may be inhabiting that world,  they are socially themed, rather than scientifically (another correlation to Asimov's own social science fiction). Which is why we, as humans, can make our own associations with it.

I haven't read everything yet, I expect it will take this year as well to catch up an all of her work, but it is well worth the effort to get to know this writer and her writing.

Friday, April 7, 2017

Macbeth 1971 (Hugh Hefner Style)

I was quite surprised to see that Hugh Hefner produced this version of Macbeth (and I admit when I saw how many naked folks were in the movie I had some less than generous thoughts about his influence).  But I have since discovered that all of the nudes in this movie were the directors' idea, Roman Polanski's rather than Hefner's.

For instance getting an eyeful of a cave packed with naked hags was far from sexy and added that extra oopmh to how truly repugnant the weird sisters were.

Lord and Lady Macbeth were beautiful, and everything I would expect in a young, ambitious, and happening couple.  In the photo above you can see Lady M. getting her man to screw his courage to the sticking place. 
...and then afterwards as they both begin to unravel...
 I just love how these actors played their roles!  The murder scene was obscene (as murder should be), there was no escaping the violence and the reprehensible act of betrayal that Macbeth performed (it will be many months before I can screw my own courage to watch another version of this play!).

 
There just the one crown which was not dorky at all!

If the murder of Duncan wasn't gory enough have a gander at poor Banquo who is haunting his king at dinner...

After watching so much violence and experiencing such revulsion at so many graphic scenes in this movie, the beheading of Macbeth was comic relief at the end (yeah...I laughed out loud and hard for a minute or two).  
This is, so far, my favourite version of the movie.  The costumes were gorgeous (and appropriate!), I really liked the cast.  The scenery was beyond beautiful.  



Monday, April 3, 2017

Ulysses


I place Ulysses by James Joyce in the category of really hard books to read so I have some tips on how you can read it.
I stopped and started this book a lot until I understood that there were no quotation marks and just a hyphen to mark when a speech begins.  But even that breakthrough didn't help a lot with the reading of my book.  So I decided to try listening to it instead.  My first attempt did not go very well, and I found that I needed to read along with the recording because some things weren't very clear.  That is when I put it aside for a while.  It was not until I found what I think is the perfect recording of Ulysses that I gave it another go and I will tell you why this version was of so much use to me... it was a full cast of Irish actors who did the job!  With different voices helping to differentiate lines and a copy of the book as well, I was able to successfully read and understand James Joyce's Ulysses! 

Once my technical issues were dealt away with I was able to focus on what the book was about.
In a nutshell, it is basically an account of Leopold Bloom as he lives through a twenty four hour period in Dublin.  Stephen Dedalus who I am already familiar with from Portrait of the Artist as a Young Man, is a secondary character (but more prominent than the rest).

What is also to be understood about Ulysses is that it is meant to be an odyssey of the mind (many passages being the stream-of-consciousness of not only Dedalus and Bloom but other lesser characters).  Listening and reading at the same time really helped to keep track of these switches from dialogue to what I can only describe as musings.  The episodes are named after characters from Homer's Odyssey (though the content of each section is only vaguely parallel to each other).   It was fun to spot the connections!  What I wasn't too keen on is the idea that Stephen was meant to be Telemachus and Bloom was Odysseus (ugh!).  While fascinated with these connections and what Joyce did with these characters I am still the purist when it comes to the Odyssey and I didn't like either Dedalus or Bloom at all to be connected with some of my favourites.
However, it was an odyssey-like experience reading this book, and I can safely say that I will attempt it again at a later date to see what else I can see (or what I had missed) in a second reading.  Listening and reading felt a lot like binge-watching a show, I was exhausted after each episode. It wasn't an easy, comfortable read, but I am glad I made the attempt.

Tuesday, March 28, 2017

Brontemania!


Last weekend the television show To Walk Invisible: The Lives of the Bronte Sisters was shown on Masterpiece.  I was enraptured!  I loved the show so much I watched it again the the very same day and then again on Monday.  Each viewing gave me more to love and appreciate of the work and skill that was put into this production.  After seeing it the first time I wanted to get out my Bronte collection and read them again!    Last night I just contented myself with flipping through Jane Eyre and stopping to read at random places.  It is the beauty of this particular book that you can do that and be entertained wherever you open up your book!
The scenery was astounding.  Emily quoting her poetry on the moor just sent shivers down my spine.
Of the sisters in the show I loved Emily the best,  she was so fierce and passionate.  Anne and Charlotte were wonderful too, but Emily inspired me the most and I would like to believe that these amazing, wonderful women were really like what was portrayed in this production.  I wondered how I could possibly find out, but then I realized that I already knew!  You just have to read their books to know who they really were and then you can see that To Walk Invisible was faithful to them.    A love letter on a grand scale!


Newbery 2017

This year's Newbery wins were very interesting.  I really enjoyed reading all of them.
I started with Wolf Hollow by Lauren Wolk.  It is an issue book... but I liked the story anyway.  I'm curious to know what a child would take from it, because I was bummed out (being just a little tired of the novel that has something to teach), but there was enough of a story there to keep my interest. 

I've already written about this book here, but I will say again that it was an unusual treat and I really enjoyed it.

This book is really beautiful.  I have often admired Bryan's art in other books, but this one is extraordinary due to it's content.  It's definitely something I would like to add to the library's collection of African American literature.

Last but not least, I was enthralled from the beginning to the end of The Girl Who Drank the Moon.  It was a clever and magical story with many twists and turns that reunite into a very satisfactory whole.  It had all of my favourite and essential parts to a magical/mythical tale and it definitely deserved this year's Newbery Medal.

Saturday, March 25, 2017

Tips


There are books that are very difficult to read.  Being as obsessed as I am with "reading it all", and wanting to tackle all of the books listed on my Great First Lines of Literature coffee mug, I had to read this book, no matter how hard it is to read.  Not because it was just on my mug but because Thomas Pynchon is listed in a few of my reference books and Gravity's Rainbow happens to be the most often mentioned books of his to be read...

I tell you now... it was a doozy.  That is where the title of my blog entry comes in today.  I have tips for die-hard readers who want to tackle this particular book (which was a really hard slog).  
First, I found it hard to begin (even with it's Great First Line!), and I had to backtrack a few times before I could get into the rhythm of it.  I had the ebook to start, but felt that it was too hard to move around in (going backwards and forwards as I did), I considered buying a hard copy (but after some progress through both the ebook and the audio, I found my disgust for the subjects in the book made me very reluctant to hold such a book in my hand!  I knew for certain that I would never wish to revisit this novel ever!).  So the audio book was my primary route through this book with the ebook on hand for some clarifications on certain names etc.,

Essentially, I think that Gravity's Rainbow is all about what men may like to do with their penises (and I'm not saying that all men would want to do this!).  I could look beyond the various sexual encounters in this book, and the sex-free portions to try and find the underlying meaning of what it is all about, but to me it read like something I remember learning in college at one of my psychology courses and it bored me to tears then (what else could the rockets be about but the many ways of "lifting off"?).  I truly do not care about complexes, ids, egos or the bodily fluids of humans and what they might want to do with them.  It is not essential to my understanding of the world to know or care about such things.  I should state that while I was disgusted about a lot of what I read, I am not standing in judgement of what two consenting adults may like to do to each other, honestly it is none of my business! 

So, on to the tips.  I strongly recommend that you not drink or eat while reading this book or even have much food in your stomach (this really helped me a great deal).   I was nauseous a time or two before I decided to cut out the food and drink.  I also recommend that you give yourself some time after reading each installment to soothe or cleanse your mind of what you read (it can be very disturbing).  Music is great, a fluffy, comfort read is good ( I would visit some of my favourite fan fiction sites), poetry can be helpful... I mixed it up because I didn't want to associate any of my favourite things too much with what I was reading.  
You should know... I don't think that there really was any point to this book.  No real purpose other than my statement on what I think it was about (penises). Or maybe all of the gross stuff just distracted me from what Pynchon was trying to say... I'm not interested in re-reading this book to find out!  
Good luck!